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This week’s ComicLab is live!

Pals! Every week my cartooning pal Brad Guigar and I fire up the mics to talk about comics. It’s half shop talk, half how-to, and half friendship. That’s right: WE SQUEEZED IN THREE HALVES. It’s tips and tricks and all the joys of cartooning as a pro!

And here’s a summary of this week’s show, which just went live! 

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LINK: https://www.patreon.com/posts/predictions-and-118414465

TITLE: Predictions and goals for 2025

As we begin a new year, cartoonists Dave Kellett and Brad Guigar make their predictions for 2025 and share their goals for the next twelve months.

Predictions

  • DAVE: Business planning anxiety
  • BRAD: Because of Dave’s prediction, the winners will be people who help address that anxiety. (That’s us!) Be the distraction/escape people need; they won’t forget you. 
  • DAVE: Bluesky at 50M by the end of the year
  • BRAD: Substack gains prominence — rises to Kickstarter/Patreon levels
  • DAVE: we’ll all be playing reactionary, whack-a-mole life choices for the first two years of the trump admin. Until the midterm elections, when it might calm slightly. 
  • BRAD: AI will go mainstream and start to gain acceptance among artists and writers
  • DAVE: Kickstarter and Patreon continue to be market leaders. No change on the horizon for that
  • BRAD: Printing is on the decline under tariffs. And we might be working with small US printers to do smaller books.
  • DAVE: in publishing, YA & kids will continue to dominate the career path of published cartoonists. 
  • BRAD: Non-social media options will grow, hopefully including RSS
  • DAVE: Webtoons might begin to fall apart in the US market. Their Hollywood goals are not working, and they were playing the long game toward THAT in terms of accumulating debt 
  • DAVE: I will have to raise prices on all my books. Or cut features in my books. No more metallic foils, spot gloss, or bookmarks…you’re just getting a bare-bones book. 

Goals

  • BRAD: Survive
  • DAVE: Survive
  • BRAD: EiAD v3 or Webcomics Handbook
  • DAVE: ANATOMY OF DOGS Kickstarter 
  • BRAD: Build Spice Rack Comics into an example of what you can do with the webring / collective concept. Suggest that this is the time to start building quasi-collectives.
  • DAVE: Triple down on Bluesky in the 4-6 years before enshittification 
  • BRAD: Lean into KDP for After Dark books
  • DAVE: Triple down on Bluesky
  • DAVE: Launch and start building THE WRONG WAY. I have been planning it for over a year. 
  • DAVE: Focus on one of the few things I can control: my family’s happiness and health. Outlive the fuckers and try not to let them steal my joy. I find solace in friendships at Alaska Camp and SDCC. 
  • DAVE: if we can’t do books, do we do more smaller Quickstarter?
  • DAVE: Is this the time to start on Substack?

Summary

In this episode, the hosts discuss a range of topics, including a personal quest for a long-lost book, Wimpy the Wellington, predictions for the comic industry in 2025, the anxiety surrounding business planning for cartoonists, and the evolving role of cartoonists in providing relief during turbulent times. They also explore the rise of new platforms like Blue Sky and Substack and the potential mainstream acceptance of AI in the creative fields. In this conversation, Brad Guigar and his co-host discuss the evolving role of AI in creative processes, emphasizing its potential as an assistant rather than a replacement for artists and writers.

They make predictions for 2025, including the impact of tariffs on print publishing, the continued dominance of YA and kids’ books, and the uncertain future of Webtoons in the U.S. market. The discussion also touches on the concept of ‘shrinkflation’ in publishing, where features may be reduced due to economic pressures.

Ultimately, both hosts share the goal of survival in a changing industry landscape. In this episode, the hosts discuss their goals and predictions for 2025, focusing on the importance of social media platforms like Blue Sky, the launch of a new project called The Wrong Way, and Spice Rack Comics’ innovative approach. They also touch on adapting to market changes, personal goals, and the significance of community support in the creative industry.